, it seems, are actually trying to be humble. With Reel 1 & 2 - Adapted Chapter
, they’ve successfully taken on many of reggae’s most famous riddims, dubbing them not into spatial oblivion, but rather as funky instrumentals primed for the dance. Consistent in quality, and with several standout tracks: this is an impressive album. What about naming the originals you ask? Well, we all need homework from time to time! (EDIT: or you can check out this Spotify playlist direct from The Giants!
“Adapted Chapter Dub” features a warm skanking guitar, before allowing a sample to make The Giants’ mission clear: ‘strictly rub a dub.’ Bringing the groove to the front, “Crafty Dub” is at times sparse and at times swirling and busy, with cascading keys nicely reappearing throughout. The short “Honey Dub” pushes the bpm up just a bit, before “Brixton Prison Dub” takes a darker percussion-laden approach to a familiar tune, which makes the bursting horns a mid-way surprise.
“Earth Dub” allows its riddim to slowly assemble, teasing with pieces until the melody-line finally - though temporarily - emerges from the shadowy haze, at times almost hinting at industrial mechanization. “Old Time Dub” gives away its origins immediately via a few very familiar words from Triston Palmer, yet the tune itself lets the horn move to the front-and-center, reverberating with power even as the rhythm section evaporates.
As a spoken ‘Irie’ echoes, “Rocking Miss D Dub” rides a short, tight groove, revealing some engaging layers along the way. Then “Drum Song Dub” - the most uptempo on the whole album - shows off a few classic tricks of dub engineering (lasers and spring reverb) while featuring a haunting theme. “House Of Parliament Dub” initially sounds formal, with calling horns, which makes the restrained breakdown and buildup even better.
The delicate “Rain Dub” gives way to the chaotic “Mash Dub,” where reverberation reigns supreme. The horns return, cut short and emphasizing the echo, on the appropriately-titled “Drifting Dub.” While announced as ‘strictly drum n bass,’ “Bad Boy Dub” ventures into some jazzy guitar to bring its disparate elements together smoothly. “Dedication To Flabba Dub” does feature a powerful bass-line, giving a nice nod to a legend while also leading nicely into the horn-line of “You Don’t Remember Dub.” “Night Fall Down” seems to imply that the album is winding down; in reality the slow - yet groovy - tune is merely setting up the expected ambling bass on an excellent closing statement in the form of “World Jam Dub.”
It’s safe to say that while most of these are going to be familiar to the average dub/reggae connoisseur, there’s far more here than just updated covers of known versions… these are modern and updated interpretations recorded in loving classic analog style. Tune in now, this 18-track is even a free lossless download: